Second Year Drama

Course Objectives:

Students are expected to
1.    Recognize Greek drama as the origin of Western theatre.
2.    Recognize medieval drama as a different dramatic form from classical.
3.    Study Elizabethan drama by reading 2 Shakespearian plays.
4.    Understand the social political and cultural background of Greek, Medieval, and Elizabethan periods.
5.    Acquire critical and analytical insight into the plays under study.
6.    Express themselves orally and in written form.
Course Description:

Students study four plays over a two-semester period of 12 weeks each; every class lasts three hours. The works studied are Aristotle’s Poetics, one classical play, e.g.Oedipus, the King by Sophocles, and a medieval play, e.g. Doctor Faustus by Christopher Marlowe.  Elizabethan Drama is introduced in the second semester by focusing on two plays by Shakespeare, e.g. and Macbeth and Merchant of Venice.
First Term:
Week
Topic
   Objectives
 Activities 
    Resources
One
Greek Drama
Introduction to ancient Greek culture, theatre and drama.    Students should be acquainted with the classical Greek culture, beginnings of theatre and Aristotle as the pioneer in setting the rules of dramatic writing.  
Readings on ancient Greece.

Viewing  a map and some pictures of the ancient theatres in Greece

Discuss in detail the first eleven points in Aristotle’s Poetics .  
Encarta; ancient Greek culture

The Poetics.
Two 
 Poetics
More study of Aristotle and the rules of dramatic writing
 Discussion of  the next five points in the Poetics
The Poetics.
 Three  




  
Oedipus, the King.
 Viewing Aristotle’s rules within the play. eg.  (plot and theme)  
 Close reading and discussion in class.
Oedipus, the King.
Websites . eg.
www.temple.edu/classics/
dramadir.html

www.imagi-nation.com/
moonstruck/spectop007.html


Four         

Oedipus, the King. (cont.) 
Viewing Aristotle’s rules within the play, eg. (plot and  characterization)
More discussion of the plot and characterization.

Oral presentat  ions of what some students read about the writer and his works.
  Oedipus, the King.
Five          

 
Oedipus, the King. (cont.)  
Viewing Aristotle’s rules within the play. eg. (Diction, Spectacle and Music) 
 More discussion of the dramatic elements in the play (Diction, spectacle and Music).

Students groups prepare a class activity for the following week.  
 Oedipus, the King.
Six    

 
   Oedipus, the King
Getting an overview of the play.     
Wrapping up the play.
Group role-play.  
Oedipus, the King
Seven  


 Mid-term exam

Eight        
 Western Medieval  theatre
Students should be introduced to medieval culture, thought and early dramatic practices  
Lecturing on the early period of  medieval drama.
Reading articles on Medieval life and theatre.

Showing pictures of the period and its in-door as well as out-door places of performance
Nine            

Medieval theatre, Christopher Marlowe and his works.  
Students are introduced to Marlowe and his works as well as some information on Dr. Faustus.  
Students give presentations on their reading on the topic.

Start reading play in class.    Dr. Faustus
 Dr. Faustus
Ten        
Medieval Drama  
Students are to start analyzing dramatic elements of text..
     Close reading of Dr. Faustus and analyzing plot and characterization.
 Dr. Faustus
Eleven     
Medieval Drama  
Analyzing dramatic elements of text
Wrapping up Dr. Faustus by dealing with theme in relation to plot as well as the figurative language of the text.  
      Dr. Faustus
Twelve             
General revision    

 Discuss any issues that arise as students prepare for the final.    



Second Term:
One  


Elizabethan period Students are  introduced to the Elizabethan period and its theatrical life 
Teacher gives a General introduction to the social, political and cultural life of the period with a special focus on Elizabethan theatre
   Encarta

Internet sites: www.shakesare-online.com/pe
www.shakespeare.com

Two      

 Shakespearean drama  
 Students are introduced to Shakespeare’s life and works 
Teacher gives an overview of Shakespearean drama
Students give presentations on their readings on the topic.  
Internet sites:
thetech.mit.edu/Shakespeare
/merchant/

Three           
Merchant of Venice (introduction to plot) 
 Exposition as the starting point of the dramatic work. 
 Close discussion of exposition and its connection with the complication.
Merchant of Venice.
Four       
 Merchant of Venice (plot)  
 Understanding that complication as an important part of the plot  
     Detailed discussion of the complication, and  character portrayal and theme. 
Merchant of Venice.
Five     
Merchant of Venice (plot)  
Complication (contd.)
 Further discussion of complication, character and theme.  
Merchant of Venice.
Six
 Merchant of Venice (plot and figures of speech)
Resolution (denouement) as the final part of the plot.  
Detailed discussion of the play’s denouement and the various steps in the plot that led to it.
Figurative language in the play. 
Merchant of Venice.
Seven            


Mid-term

Eight Internet sites: library.thinkquest.org/2888/
the-tech.mit.edu/Shakespeare/Macbeth
Macbeth
Students are introduced to the historical background of the play.  
Teacher gives a lecture on the history of the plot .
Internet sites: library.thinkquest.org/2888/
the-tech.mit.edu/Shakespeare/
Macbeth

Nine 
 Macbeth
Exposition as the starting point of the drama.  
 Close discussion in class  of the exposition and its connection to the complication. 
Macbeth
Ten    
Macbeth  
Complication as a resultant of the exposition  
Close discussion in class of the first part of the complication
Macbeth
Eleven     
Macbeth 
Complication (cont.)  
Detailed discussion of the second part of the complication.
Macbeth

Twelve       
Macbeth 
Resolution  
Wrapping up the play by discussing the resolution, theme and character portrayal.  
Macbeth