Course Objectives:
Students are expected to
1. Recognize Greek drama as the origin of Western theatre.
2. Recognize medieval drama as a different dramatic form from classical.
3. Study Elizabethan drama by reading 2 Shakespearian plays.
4. Understand the social political and cultural background of Greek, Medieval, and Elizabethan periods.
5. Acquire critical and analytical insight into the plays under study.
6. Express themselves orally and in written form.
First Term:Course Description:
Students study four plays over a two-semester period of 12 weeks each; every class lasts three hours. The works studied are Aristotle’s Poetics, one classical play, e.g.Oedipus, the King by Sophocles, and a medieval play, e.g. Doctor Faustus by Christopher Marlowe. Elizabethan Drama is introduced in the second semester by focusing on two plays by Shakespeare, e.g. and Macbeth and Merchant of Venice.
Week
Topic
Objectives
Activities
Resources
One
Greek Drama
Introduction to ancient Greek culture, theatre and drama. Students should be acquainted with the classical Greek culture, beginnings of theatre and Aristotle as the pioneer in setting the rules of dramatic writing.
Readings on ancient Greece.
Viewing a map and some pictures of the ancient theatres in Greece
Discuss in detail the first eleven points in Aristotle’s Poetics .
Encarta; ancient Greek culture
The Poetics.
Two
Poetics
More study of Aristotle and the rules of dramatic writing
Discussion of the next five points in the Poetics
The Poetics.
Three
Oedipus, the King.
Viewing Aristotle’s rules within the play. eg. (plot and theme)
Close reading and discussion in class.
Oedipus, the King.
Websites . eg.
www.temple.edu/classics/
dramadir.html
www.imagi-nation.com/
moonstruck/spectop007.html
Four
Oedipus, the King. (cont.)
Viewing Aristotle’s rules within the play, eg. (plot and characterization)
More discussion of the plot and characterization.
Oral presentat ions of what some students read about the writer and his works.
Oedipus, the King.
Five
Oedipus, the King. (cont.)
Viewing Aristotle’s rules within the play. eg. (Diction, Spectacle and Music)
More discussion of the dramatic elements in the play (Diction, spectacle and Music).
Students groups prepare a class activity for the following week.
Oedipus, the King.
Six
Oedipus, the King
Getting an overview of the play.
Wrapping up the play.
Group role-play.
Oedipus, the King
Seven
Mid-term exam
Eight
Western Medieval theatre
Students should be introduced to medieval culture, thought and early dramatic practices
Lecturing on the early period of medieval drama.
Reading articles on Medieval life and theatre.
Showing pictures of the period and its in-door as well as out-door places of performance
Nine
Medieval theatre, Christopher Marlowe and his works.
Students are introduced to Marlowe and his works as well as some information on Dr. Faustus.
Students give presentations on their reading on the topic.
Start reading play in class. Dr. Faustus
Dr. Faustus
Ten
Medieval Drama
Students are to start analyzing dramatic elements of text..
Close reading of Dr. Faustus and analyzing plot and characterization.
Dr. Faustus
Eleven
Medieval Drama
Analyzing dramatic elements of text
Wrapping up Dr. Faustus by dealing with theme in relation to plot as well as the figurative language of the text.
Dr. Faustus
Twelve
General revision
Discuss any issues that arise as students prepare for the final.
| One |
Elizabethan period | Students are introduced to the Elizabethan period
and its theatrical life |
Teacher gives a General introduction to the social,
political and cultural life of the period with a special focus on
Elizabethan theatre |
Encarta Internet sites: www.shakesare-online.com/pe www.shakespeare.com |
| Two |
Shakespearean drama |
Students are introduced to Shakespeare’s
life and works |
Teacher gives an overview of Shakespearean drama Students give presentations on their readings on the topic. |
Internet sites: thetech.mit.edu/Shakespeare /merchant/ |
| Three
|
Merchant of Venice (introduction to plot) |
Exposition as the starting point of the dramatic
work. |
Close discussion of exposition and its connection
with the complication. |
Merchant of Venice. |
| Four |
Merchant of Venice (plot) |
Understanding that complication as an important
part of the plot |
Detailed discussion of the
complication, and character portrayal and theme. |
Merchant of Venice. |
| Five |
Merchant of Venice (plot) |
Complication (contd.) |
Further discussion of complication, character
and theme. |
Merchant of Venice. |
| Six |
Merchant of Venice (plot and figures
of speech) |
Resolution (denouement) as the final part of the plot. |
Detailed discussion of the play’s denouement
and the various steps in the plot that led to it. Figurative language in the play. |
Merchant of Venice. |
| Seven
|
Mid-term |
|||
| Eight Internet sites: library.thinkquest.org/2888/ the-tech.mit.edu/Shakespeare/Macbeth |
Macbeth |
Students are introduced to the historical background
of the play. |
Teacher gives a lecture on the history of the plot
. |
Internet sites: library.thinkquest.org/2888/ the-tech.mit.edu/Shakespeare/ Macbeth |
| Nine |
Macbeth |
Exposition as the starting point of the drama. |
Close discussion in class of the exposition
and its connection to the complication. |
Macbeth |
| Ten |
Macbeth |
Complication as a resultant of the exposition |
Close discussion in class of the first part of the
complication |
Macbeth |
| Eleven |
Macbeth |
Complication (cont.) |
Detailed discussion of the second part of the complication. |
Macbeth |
Twelve |
Macbeth |
Resolution |
Wrapping up the play by discussing the resolution,
theme and character portrayal. |
Macbeth |